Back in November, I resolved to make a shrug from this vintage pattern (Advance 6184).
Now, the finished garment!
I did not originally intend to make this jacket so… fluffy. But then I found this fabric, and I couldn’t resist.
It’s an exceptionally soft and cozy faux fur, and it makes me feel over-the-top ridiculous in the best possible way. If you squint really hard, maybe you can imagine Grace Kelly or Marilyn Monroe in something similar (only real, obviously), accessorized with long white gloves and some sass.
Grace Kelly, Hola Magazine | Source
Marilyn Monroe | Source
- Working with vintage patterns is sometimes tricky on account of what the heck are they even talking about. So I did what I usually do in such cases: I cut out the pattern pieces and put them together in the way that made the most sense to me.
- The fabric was mildly inconvenient to work with—it disintegrated a bit with every cut. I still might be inhaling fabric shreds.
- In this case, using a traditional lining fabric seemed completely counterproductive to me. Why turn the soft, warm, faux-furry goodness outwards towards the elements, only to place a shiny, cool-to-the-touch shell next to my skin? Crazy. Instead, I used the faux fur to line the shrug too. So much cozier this way!
I’m quite pleased with how this turned out, and I wore it—happy and snuggily—to a couple of black tie affairs that I attended in December (I know—la-dee-dah).
But it is also the kind of thing you can really only get away with around the holidays, when everyone goes about in a spiced-wine-induced haze of Good Will Toward Men, and velvet and lamé suddenly become acceptable life choices.
Glamour personified. If you squint really hard, maybe you can imagine that I’m not such a goober.
We’re reaching that time of year when I am absolutely sick of all of the cold weather articles of clothing I own—especially coats. Unfortunately in Chicago, it’ll be coat weather for a few more weeks at least. Time to mix it up a bit.
Lately I’ve been coveting the kind of slouchy, menswear-inspired silhouettes that I’ve seen the occasional blue-line hipster girl wear—like so:
Clockwise from left: Philip Lim sweater sleeve maxi coat, Asos textured blazer coat, Asos vest in longline, To Be Adored coat, Clariana fleck wool drape coat by Theory
But the last thing I want to do in April is spend a bunch of moolah on a coat. My solution? Try to find this 90s-reminiscent silhouette at a thrift store.
I forgot to take a picture of the jacket before ripping the sleeves off—but you get the idea
I loved this coat (left)—it was less than $10 at Salvos—but it was slightly too big through the shoulders. Since I was going to take it apart anyway to work on the fit, I decided to Frankenstein it with a sweater (right).
I used an old coat pattern that WAS my size as a rough guide for re-cutting the armholes.
I stitched the sweater sleeves to the coat—lining and all. So no, I didn’t really fix the lining the way I’m sure you’re supposed to. Instead I just made my own binding out of some ribbon to cover the raw edges.
You can see the raw edges on the wearer’s left armhole; the right armhole is finished.
I wore this outfit to a jazz club with some friends—one of them told me I looked very Ralph Lauren, and another likened me to Katharine Hepburn. Not quite the look I was going for, but I’ll still take it!
I just finished up this jacket as a gift for my mom’s birthday. It’s basically a drawstring capelet with raglan sleeves—not terribly difficult to make. Because it’s adjustable and not very fitted, it works well as a gift—you don’t have to worry so much about getting the size exactly right. The one problem I foresee is that it could make the wearer fidgety—constantly ruching and unruching the ruffles.
I picked up this fabric at a thrift store in Niles, Michigan. It’s medium-weight and quite soft, but I’m not actually sure what type of fabric it is. The black-and-white twill ribbon is from Paper Source.